
š²š¼ Sun, Song & Chitenje: A Celebration of Culture and Love Meet Thoko & Vincent
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š²š¼ Sun, Song & Chitenje: A Celebration of Culture and Love
Meet Thoko & Vincent
Their wedding wasnāt just a celebrationāit was a reclamation of heritage, a reunion of generations, and a reminder that culture, when embraced with love, is power.
Thoko was born in Malawi, raised in Canada. Vincent grew up in Zomba, but now works in Lilongwe. They met during a Christmas visit home, at a cousinās engagement party. Two years and hundreds of video calls later, they knew it was time to plan a wedding that brought their two worlds togetherātradition and modernity, diaspora and home, faith and ancestry.
But as Thoko puts it:
āComing home to marry isn't just about location. Itās about cultureāand you canāt romanticise that part. Itās beautiful, but itās also hard work.ā
šæ The Kitchen Party: Where Women Teach and Celebrate
Her kitchen party was hosted at her late grandmotherās homestead in Namwera. The aunties, most of whom she hadnāt seen since she was a child, arrived in vibrant zitenje, with drums and folded hands full of lessons.
Thokoās Canadian friends were stunnedāin a good way. There was no rehearsal. No script. Just women teaching women: how to serve, how to receive, how to forgive.
And then came the gifts: cooking pots, a broom, chitenje cloths, a small Bible, and a heavy envelope with letters from each auntie.
āI used to roll my eyes at this stuff,ā Thoko admitted. āBut there, in the dust and laughter, it made sense. It felt like I was being initiated into something ancient and sacred.ā
š¶ The Ceremony: Faith + Family + Fire
The wedding ceremony took place under mango trees at Vincentās village, with benches arranged in a semi-circle and elders seated at the front. The couple had insisted on writing their own vows, but also allowed space for mpingo leaders (elders) to speak blessings aloud.
Thokoās veil was made from a borrowed piece of her motherās wedding dress, wrapped into a crown with coral beads. Vincent wore a cream tunic and sandals, with a strip of chitenje across his chest.
There were no flower girls. Instead, a group of young cousins danced them in, throwing maize grains into the air while singing "Mwana wa māboma azamanga banja!" (āA child of the land is building a home!ā)
š² The Reality of Culture: Clashes & Compromises
Behind the scenes? It wasnāt all flawless.
One uncle insisted on a traditional lobola gift list that made the groomās family uncomfortable.
Some elders disapproved of Thoko speaking at her own wedding.
A family friend offered unsolicited advice⦠during the ceremony.
But that, Thoko says, is what made it real.
āCulture is not filtered. Itās loud, sometimes unbending, and not always Instagram-ready. But it holds us.ā
š§” The Reception: Where the Village Meets the World
Later that evening, the couple hosted a reception at a lodge by Lake Malawi. The contrast was intentionalārustic and refined, ancestral and now.
Decor blended clay pots and eucalyptus, chitenje napkins, and string lights. Guests were served nsima with chambo, roasted goat, and pumpkin leaf curry, followed by lemon cake and sweet thobwa in calabash cups.
Their first dance? A remix of John Legend and Gides Chalamanda.
Children danced barefoot in the sand. Aunties told jokes on the mic. A cousin DJād until midnight. Everyone stayed to help pack chairs and gather leftover food for the neighbours.
āThere was no ābridezillaā moment,ā Vincent laughed. āWe were too busy soaking up the love.ā
š¬ Final Reflections
āThis wedding taught me to stop performing for the camera. To embrace the rough edges, the sacred silences, and the wild joy of being Malawian,ā Thoko wrote in her journal the day after.
āIt wasnāt perfect. It was ours. And it was enough.ā
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